TOMOHISA YAMASHITA

What are your thoughts after reading the script, and areas you find particularly interesting?

There's a considerable sharpness to it, yet it also has moments of relaxation, so the pacing is well-balanced, making it a very engaging series. The tempo is good. Although the theme of “meteorology” may seem somewhat distant, since it's about the weather, it's actually quite a relatable story. There were surprising facts and trivia in the script, so I could read it with moments of “ah, I see!” while nodding in agreement. Additionally, the focus on each character's history allows for a simultaneous understanding of both the present and the past, which leaves quite an impression.

What do you think the acting will be like?

Primarily, I think it will feature quite sharp roles, but what's different from the ones I've played before is that there are also casual aspects depicted quite distinctively. I personally hope to portray that balance well. It feels like an opportunity to create a character that's slightly different from what I've done before. There's a human aspect to it, and bearing in mind his past, including the issues he carries, it adds a depth that feels distinct from roles I've played previously.

It could be said that it's a drama with a boss-subordinate structure, wouldn't you agree?

The approach of building a team based on abilities rather than age or rank feels very contemporary and fresh. Japan is still very much a hierarchical society, for better or worse, so breaking that pattern and focusing on essence could be interesting. It adds a different kind of appeal, one that I think people of all ages can enjoy.

What aspects of the character you'll be playing resonate with you, or do you find intriguing?

In Japanese society, there's a tendency to suppress embarrassment or one's own emotions, but he's the type of character who vocalizes, “Let's build the best team, save people from natural disasters!” This is very noticeable, and by voicing his thoughts, he's also encouraging himself. I think it's this kind of passion that attracts the other team members to him.

What are your thoughts as you prepare for the series?

Since this production itself emphasizes teamwork as one of its themes, we want to create a team where everyone can contribute their strengths and achieve good results together, including the cast and crew. Communication isn't my strongest suit, but I'll try to communicate effectively and boost everyone's morale. I believe that having heartful approach is crucial, so I will make an effort to initiate conversations (laughs). I think if I ask questions and soften everyone's feelings, it will lead to a tighter bond when it’s needed. It's a personal challenge for me, but I'll strive to make it a positive filming set.

What's your favorite type of cloud?

I'd say cumulonimbus. In the summer, when both plants and energy are at their peak, the sky feels invigorating. Personally, it also brings back memories of fun summer vacations. So, in terms of clouds that can only be seen during that season, I like cumulonimbus.

What do you pay attention to or what hints do you take when portraying a character from a manga adaptation?

I've appeared in several live-action adaptations of manga before, and what I try to grasp is the “essence” or “soul” of the characters. I try to read many times to truly grasp such things. It's difficult to achieve a complete replication, so I aim to understand the message that the original creator most wants to convey and then incorporate that into my portrayal, creating a character for my role. For this particular work, I feel it's important to convey how he steps up from his past. Given that Japan frequently faces natural disasters, it's important to deliver my character’s attitude toward the literacy of disaster situations, even if it means risking one’s life. So, I'll make sure to portray these aspects properly too.

Are there any visual aspects specific to the live-action adaptation that you're particular about?

There's a duality to the character. On one hand, he's like the “big brother for weather,” so during these times, I might change my appearance a bit by styling my bangs or wearing glasses, for example. Portraying this duality is like wielding two swords (laughs), so I'll put effort into showcasing both sides without holding back, aiming to demonstrate the contrast effectively.

The story revolves around weather which is one of the key ideas. Do you check the weather frequently?

On rainy days, I feel that my options for activities become limited, and I also find myself concerned about the conditions and schedule of outdoor shoots. That's why I make it a point to check the weekly weather forecast. Going forward, I want to delve a bit deeper, paying attention to factors like “humidity.” I realized this when I visited a desert once and experienced extreme thirst, or during concerts where even a slight difference of 1 or 2 degrees Celsius in outside temperature could affect the amount of sweat. It made me realize how much the weather can impact us. I believe we're more influenced by weather than we often realize. So, through this project, I want to learn more about weather and its effects.

What are your thoughts on the theme of using meteorology to save lives?

I think learning about it is crucial. By gaining more knowledge about nature, each person can potentially save lives, and it's important to be prepared. I hope this drama will make viewers realize the importance these aspects.

What preparations did you make for portraying the role of a research officer at a Meteorological Research Institute?

Reading the original manga, I realized there were many things about weather maps that I didn't know about, even though I'm used to seeing them. I learned a lot just from reading the manga. I also watched documentaries about real meteorologists, but I understand that it's not something you can learn in just a week or two. It's closely related to mathematics, and since it's about scientifically reproducing phenomena, while it's a field I'm interested in, I hope to convey truths through science.

Teaming up again with Akira Tanaka, who you worked with also on “Code Blue” series after 7 years. Also, on returning to a Fuji TV drama after a long time?

It's been over 20 years since I first appeared in a Fuji TV production, so I have a lot of friends here (laughs). There are many people I know. I owe my current position to these dramas and the support of the staff, so I'm simply happy to be back. However, what I've done in the past is just that—past. I'm burning with the desire to create a work that surpasses previous productions. Nevertheless, I'm excited about the reunion, and I intend to communicate closely with the director. Sharing my thoughts and opinions alongside the acting aspects. Since we have a pre-existing relationship, it's easier for me to share my feelings and thoughts, so I'll make sure to express myself openly.

After experiencing roles in overseas productions and gaining experience, what changes or growth have you noticed?

I think I've become more willing to express my opinions and thoughts. Even if conveying them doesn't always yield positive results, I think it's a waste not to communicate them. There might be new discoveries waiting, so I've changed my mindset to not hold back and express myself more freely.

Original Article: https://www.fujitv.co.jp/blue-moment/interview/interview01.html